The designers of the movie Her added a decidedly vintage feel to much of the futuristic technology on the set. Computer monitors are wrapped in wood or canvas, and the smartphone that Joaquin Phoenix carries with him is modeled after the beautiful and tactile address books and cigarette cases of yore. With all the sleek and slim technology in our lives, is it warmth we're after? Or maybe, as Magno Radio designer Singgih Kartono believes, using natural materials will help build a closer relationship between user and device.
Here are 12 accessories to add warmth to your cool electronics.
Speakers
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Above: The classic transistor radio interpreted in wood: the individually handcrafted Magno Small Wooden Radio IKoNO has a two band (AM and FM) receiver and can be connected to most Mp3 players; $225 at A+R.
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Above: Joey Roth Ceramic Speakers are made from porcelain, cork, and Baltic birch. The materials are minimally finished by design; $495 for a pair speakers and an amp.
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Above: The Liberatone Zipp Airplay Speaker is a wireless portable speaker cloaked in an Italian wool cover that comes in several colors, including salty gray (shown). It works with iDevices, Mac/PC, and Android devices, and is $366 at Amazon.
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Above: The small beech Formnation Wood Speaker has a bright red cord that fits into any auxiliary headphone jack and can be charged for five hours of portable play; $40 at MOMA Store.
Above: A design that mimics the plastic clock radios of the 1970's, Areaware's Alarm Dock is actually a charging spot for the iPhone 5 (a version is also available for the iPhone 4). Run a flip clock app and your charging phone becomes a digital clock; $38 from Areaware.
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Above: The Koostik Dock 5 for the iPhone is a simple docking station available in a variety of solid woods including white oak (shown); $25.
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Above: Areaware's Radio Dock is a radio in looks only. Your iPhone connector can be pulled through the dock, allowing your device to recharge while you run a radio app to recreate that old sound via your phone's own speakers; $40.
Covers
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Above: The Wool Felt and Leather MacBook Pro Sleeve is crafted of gray felted wool with leather snap closures. The sleeves are also available for the iPad, iPhone, and MacBook Air; $82 from Byrd and Belle's Etsy Shop.
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Above: Woodchuck's iPad Wood Skin is available in birch (shown), walnut, and mahogany (and made for other laptop models, too). Fabricated in Minneapolis of locally sourced wood, the skins adhere to the device with a non-residue adhesive to protect from scratches, and are $39.99 each.
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Above: From Woodchuck's Traveler Series, the Wood and Wool iPad Sleeve pairs cherry wood with all-wool felt, and has two pockets for accessories and chargers; $99.99.
Keyboard
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Above: Carved from a single piece of wood, the Orée Wooden Wireless Keyboard is available for MAC or PC. Each keyboard is customized to order in maple (shown) or walnut, and comes with a choice of font styles and the options to add a decorative pattern or slogan; €150.
One of the places in the world we'd most like to live? This sophisticated and soulful Paris loft designed by Régis Larroque, giant green cupboard included. Located on Passage Charles Dallery in the 11e, the apartment was completed back in 2006, but is timeless—and alluring. Look no further for warm minimalism with a French accent.
Above: A streamlined cupboard divides the entry from the main living space, and serves as an alternative to a built-in front closet. Régis Larroque is a sought-after Paris designer of shops and showrooms—for Hermes and Nina Ricci, among others—and his display and space-planning skills translate well in a residential setting.
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Above: A shelf-like shallow stone sink extends off the green cupboard and is a companion to a powder room near the entry.
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Above: The dining area is decorated with a collage of 19th century studio portraits clustered in an arresting cloud-like arrangement.
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Above: A bedroom opens off the dining area; to maintain the lofty feel of the space, the door opening are extra wide (but there are sliding wood pocket doors for privacy).
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Above: Cartwheels, anyone? The vast main space has rug-free pale wood floors, slim metal columns, and a wall of windows.
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Above: A black leather sofa with tapered wooden legs and a fireplace anchor the living area.
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Above: A petite daybed is invitingly situated under the tall windows.
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Above: The master bed is invitingly layered with pale pastel sheets and linen-covered pillows.
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Above: The bedroom doubles as a home office.
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Above: Outside the master bedroom, an ensemble of black leather seating surrounds the fireplace.
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Above: A wall of open shelves extends for nearly the length of the long room.
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Above: To accommodate a variety of books and objects, the shelves are built in two heights.
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Above: A curved hall off the front entry leads to the kitchen.
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Above: An antique table contrasts with the streamlined custom cabinetry, which is hardware-free and rests on a recessed base, so that it appears to be floating.
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Above: The wood flooring shifts to polished stone in the kitchen.
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Above: A compact refrigerator with a clear glass door is incorporated into the cabinetry.
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Above: The breakfast table adds a sunniness to the setting. Glassic globe lights are used throughout the loft as pendants and standing lamps.
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Above: A guest bedroom off the kitchen has a seamless wall of closets. The clean setting showcases a chair and globe light both made of wirework.
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Above: An all-encompassing grid of white tiles with gray grout in the guest room's companion bath.
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Above: The loft's floor plan delineates the central placement of the dining table; the bedrooms occupy the two ends of the space.
Enrique had only been with us a few days when we blithely left him home alone for a few hours. The shredded curtain and broken windowpane that we returned to clued us in that our rescued 15-pound mutt wasn't yet feeling acclimated. Dogs need to feel at home, too, we realized.
I'm happy to report that four years later, Enrique is leading a good life and hasn't done any further damage—and, though you might find it hard to believe, we feel we ended up with the world's sweetest pet. But like a toddler-proofed house, our rooms show signs that someone with four legs has the run of the place.
Hard to believe that not so long ago, dogs lived in doghouses. Now that they've been fully welcomed indoors, it only makes sense to incorporate our pets' needs into the design plans. As Ben Bischoff of Made Architects LLC wisely points out, "You don't want to have to shoehorn a big dog bed or metal crate into a finished room. If you're constructing or remodeling, it makes sense to design and build places for your pet's things to go."
Towards that end, here are eight key things to take into consideration when setting up a quarters for man and beast:
1. A Convenient Way In and Out
The practicality of a dog door depends, of course, on where you live and the size of your dog. But having a built-in dog door is a great boon for both dog and owner. Have a look at Amanda Pays and Corbin Bernsens' dog door tucked into a corner of their laundry room.
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Above: A charming dog door by KUU, an architectural design firm based in Singapore and Tokyo.
2. A Place to Keep Leashes and Towels at the Ready
A mud room is a luxury high on dog owners' wish lists, but any entry equipped with hooks and storage will work—as long as it can be tread upon by dirty paws and doused with wet fur. Think twice before adding hand-blocked wallpaper, as we did, in our entry. What you need is a resilient staging area where your dog can be cleaned and dried before being unleashed into the rest of the house.
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Above: Oliver Freundlich designed a tiled open coat closet for a Brooklyn couple with a dog named Cash. A leash is at the ready on cast-iron hooks, and dog towels, toys, and treats can be stowed in the yellow cabinet by Cappellini. Photograph by Matthew Williams for Remodelista.
3. Resilient Flooring
"In a pet residence, the floor is the first and most important consideration. Pets spend a lot of time on the floor; it's our pets' eminent domain," writes dog design authority Julia Szabo in her book Pretty Pet-Friendly: Easy Ways to Keep Spot's Digs Stylish and Spotless. Easy to clean, non-porous surfaces are ideal, she advises. Concrete and tiles work well, as do hardwood and bamboo floors (but be warned that dogs with scratchy paws are likely to leave their mark on soft woods.) Radiant heat flooring is a boon all around—energy efficient and a dog favorite. Carpeting is not recommended: it's too hard to keep clean; but if you insist, Szabo recommends Flor carpet tiles—they're removable and washable. Also consider Bolon, woven vinyl matting from Sweden that's easy to clean and indestructible; I use it in my front hall to save our hardwood floor from all the snow and rain gets tracked in.
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Above: A polished concrete floor with radiant heat works extremely well for a couple who live in a converted Upstate New York barn with two giant Rottweilers. See more of the barn here as well as on pages 198 to 203 of the Remodelista Book. Photograph by Matthew Williams for Remodelista.
4. A Feeding Area
Too often dog bowls are left out in the open waiting to be knocked over. When designing a kitchen (or mud room or laundry room), build in a convenient place for the food and water bowl to live. It will become one of your greatest daily satisfactions.
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Above: To be filed under genius idea: a dog-feeding station on a platform with inset stainless-steel bowls and built-in water faucet, a design by Chicago architect Michael N. Shively.
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Above: Similarly, Oliver Freundlich created a dog bowl nook in a kitchen island, and painted it Christian Louboutin red. It's in the same Brooklyn duplex pictured above—tour the whole apartment atArchitecture as Alchemy.
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Above: A drawer under a window seat holds a feeding station in a design by TerraCotta Properties of Atlanta.
5. A Place to Stow the Kibble
Bags of dog food are unwieldy, not to mention unattractive and prone to attracting vermin. Having a built-in, air-tight bin is ideal. An old-fashioned metal garbage can also works well (see Amanda Pays' laundry room).
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Above: A beadboard pull-out conveniently holds a covered container for storing dry dog food. Photo via Decor Pad.
6. A Place to Wash Up
A laundry sink works well as a dog bath for small- and medium-sized animals—and means you don't have to bend over a low bathtub. Bonus: it's easier to clean up a sink than a bathtub. Alternatively, consider installing a dog shower with a handheld nozzle—these work well in tiled niches in mud rooms and laundry rooms.
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Above: Bethany Obrecht, co-owner of dog accessories company Found My Animal and rescue dog advocate, equipped her Brooklyn brownstone kitchen with an antique farmhouse double sink, purchased on eBay and sized right for Claude, her mutt, and Henri, her Chihuahua. Photograph from Found My Animal.
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Above: Another luxury—the outdoor shower; this one is conveniently positioned alongside a dog door in a project by Phil Kean Design Group of Winter Park, Florida.
7. Pet-Proofed Furniture
Dogs don't need to be allowed on the furniture, of course, but who can resist lounging on the sofa with a furry companion? It's wise to protect the comfiest seats in the house by slipcovering them in washable fabrics. Alternatively, cotton painter's drop cloths are a fast, affordable strategy—see our post Canvas Drop Cloths as Instant Decor. Our London editor, Christine, tucks a washable duvet onto her couch to dog proof it, and LA interior designer Michaela Scherrer drapes her living room furniture in claw-proof, spongeable white leather. If you're thinking of reupholstering, Julia Szabo recommends Crypton, a stain-resistant (low VOC and no formaldehyde) fabric sold by the yard (some patterns are designed by William Wegman). And for an especially dog-friendly house, consider building a spot especially for your pets, such as a window seat or top-of-the-stairs lookout.
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Above: A homemade window seat built over a radiator serves as the perfect toasty hangout and mailman watch at the London home of the owners of pet accessories company Bone & Rag. The window seat is made of painted MDF with turned legs and air holes, and has a dark blue velvet cushion that's hardwearing and, yes, washable. Photograph from Bone & Rag.
8. A Comfy Spot to Nap
Dogs need a place to retreat to where they can sleep soundly—"somewhere quiet and comfy, but close to the action and free from draughts," specifies Jeremy Cooper of Bone & Rag (makers of nice-looking denim dog beds). The hitch is that dog beds and crates hog a lot of space. Instead of allowing them to clutter your rooms, consider creating cozy built-in niches under shelves, islands, and stairs.
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Above: Jean-Pierre, the resident French bulldog at Vancouver's Old Faithful Shop, has a bed built into a custom-made wooden counter. Photograph from Old Faithful Shop.
We recently bought a vintage daybed for our library, and children and two cats are extremely content with the new addition—it's comfortable, cosy, and currently the most popular seat in the house.
Here are Remodelista, we're big fans of daybeds, and particularly Donald Judd's boxy minimalist take on the form. Of course, his pieces are beyond pricey, but lately we've been noticing some appealing—and accessible—lookalikes.
Above: The original Donald Judd Daybed #32, designed during the later years of Judd's career, sells at auction for prices hovering around $70,000 (depending on quality and type of wood). The bed was made in 11 different hardwoods. LA-based Matin Gallery offers the entire Donald Judd collection, which is built by Jeff Jamieson and is dated and numbered in open edition by the Judd Foundation. Contact directly to inquire about pricing. To learn more about Matin and its owners, Robert and Christina Odegard, see International Style: At Home with LA's Stealth Stylemakers.
Above: The Box Daybed by Melbourne, Australia, furniture designer Mark Tuckey is available in oak or a wood Tuckey calls Oregon and your choice of upholstery fabric; $6,100 AUD from Mark Tuckey.
Above: The Mc & Co Daybed, designed by Corinne Gilbert & Dan Mccarthy, is made from one-inch-thick unfinished cedar; it can also be made to order in ash, oak, walnut, and pine. It's 40 inches deep, 27 inches tall, and 76 inches wide, and accommodate a twin size futon. Pricing starts at $3,900 without a futon, and $4,200 with a premium futon.
Above: The Mid Century Daybed is made from FSC-certified solid eucalyptus wood with a stained veneer West Elm calls acorn. It's 78 inches wide, 42 inches deep, and 35 inches high; $639 from West Elm.
Nestled among the Victorians of San Francisco's Lower Pacific Heights stands an unassuming tea shop. The delicate white typography on the window is enough to draw a passerby to peek inside. But it's the warm welcome and the shop's peaceful ambiance that makes you want to spend an afternoon tea tasting.
Before opening Song Tea & Ceramics, Peter Luong worked in the family business, Red Blossom Tea, a business in SF's Chinatown that Luong's parents opened 30 years ago. Today, the company supplies many of the city's restaurants and cafes, and the success of Red Blossom Tea led Luong to recognize a need for refinement in the industry. Much like the best wine-tasting room in Napa, Song Tea's mission is to create an elegant environment for sampling and purchasing what Luong describes as "vibrant, high-quality teas that are hand-picked and crafted, and sourced in small batches."
Photographs by Dalilah Arja.
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Above: A credenza designed by Luong and his team serves as the shop's checkout counter; it was built by local woodworker Blair Haffly.
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Above: Luong has "always been a fan of clean-lined, simple design: midcentury modern and Japanese and minimalist design. Song Tea & Ceramics is an amalgamation of those influences." Shown here, a Fukushu kumquat sits in an untreated wood frame alongside handmade ceramics.
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Above: The teapots are made from Zisha (which means purple sand in Chinese), a clay found in the city of Yixing in China's Jiangsu province. The process of making these pots is labor intensive: the clay isn't easily molded and the ceramicist must hammer it by hand. And because Zisha wares are unglazed, they retain trace amounts of tea from each use, creating a more complex flavor over time. It's important to limit the use of each tea pot to one kind of tea.
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Above: Loose-leaf tea is stored in porcelain canisters lied up on custom-built shelves. Luong often takes buying trips to Taiwan and China to visit tea farms, and all of the shop's tea is sourced in limited batches from small operations. An online shop is in the works; click here to view Song's tea menu.
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Above: Although Song Tea is not a tea room or restaurant, you can expect complimentary tastings with delicious pairings.
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Above: Luong's arrangements were inspired by his visits to tea rooms and restaurants in Japan.
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Above: A vintage Marantz amplifier from Luong's own collection sits on a shelving unit that separates the retail space from the office.
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Above: The tasting table was also custom built by local woodworker Blair Haffly.
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Above: Graphic designer Kristen Penn is responsible for all of the shop's signage and packaging.
Song Tea & Ceramics will be launching an online shop soon; until then, you can find its teas at a variety of cafes in San Francisco, including St. Frank, Ritual, and Jane. Go Get 'Em Tiger and G&B Coffee in Los Angeles carry Song Tea, as does Bartavelle in Berkeley.
After all this tea talk, a recipe for Moroccan mint tea on Gardenista sounds good. And check out more of our ceramic-centric posts here.
Not so long ago, when I was desperate to replace the linoleum floor in our rental house kitchen with a wood one, my designer friends suggested calling local floorer Donald Williams of Donald Williams Floors in Calistoga, CA. While he might be more familiar with my Napa Valley neighbors' swankier homes, Williams was happy to advise me on what to use in our tiny kitchen. I recently asked him to tell me more about how to approach choosing a wood floor.
Remodelista: What is the first thing to consider when choosing a wood floor? Donald Williams: Visual appeal and practical utility. If you like the look and texture of wood, and the way it wears and lasts, there are a whole host of considerations to be made.
RM: What sort of things? DW: Things to consider are color, grain, dimensions, and stability—there are many species of wood; every type of tree has it own qualities.
RM: Can you tell us about color? DW: When selecting a wood floor, color is available two ways: there is color that is intrinsic to the wood—walnut has a brown hue, maple has a whitish cast, oak is yellowish—or you can add a stain; some woods stain well, others don’t.
RM: How do you advise clients on choosing a color? DW: The problem with picking a color is that folks are reluctant to relinquish control with natural products in which the color is intrinsic to the wood. If you want real wood then you want the visual quality of the wood to be apparent. I'll show clients a sample of red oak. They'll pick a stain, then I’ll show them another piece of red oak in the same stain and it will look different. It’s the same type of wood but can look different. It will also look different when it’s done on a larger scale. It makes people uncomfortable, but letting go of control is important; accepting and appreciating the natural variants in wood means being an informed customer.
RM: What about staining with color? DW: The stain provides the color and the finish goes on top of the stain to protect it and the wood. A natural clear stain is the most common, but we can go wherever a customer takes us. It can be a white or a black or another color. Designers often love to put a thick layer of stain on a wood floor to give it uniformity, but most floors that are uniform in color and going to be compromised in longevity.
RM: Why is that? DW: The layer of pigment becomes a barrier between the finish on top and the wood below. The finish is what you walk on, and we want the finish to bond with the wood, not just to float on top. The floor may not last long because the color may get walked off.
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Above: Samples of oak with different colored finishes at Heritage Salvage in Petaluma.
RM: When using a polyurethane finish, how many layers do you recommend? DW: This depends on usage and budget: is it a house for a couple or is the space used for daycare ? The more layers, the more protection. We do anywhere up to four coats of finish.
RM: What colors are popular for stains? DW: In the last two years we've been doing a lot more grayish brown because of Restoration Hardware and its weathered woods.
RM: What is there to consider when it comes to grain? DW: That’s a matter of personal preference. Some woods have a calm, uniform grain, others have a lot of action and variety. Hickory is very unpredictable and changes a lot, oak has an active grain, maple grain is less apparent as is cherry, and walnut has a calmer grain. If folks want the floor to be a focal point, they need a more active grain. If they want the furniture or fireplace to be the focal point, they may go for a calmer grain.
RM: What are the most popular woods? DW: Over half of the wood flooring used in the US is oak, maybe even two thirds.
RM: You mentioned width of wood. DW: We've laid flooring as wide as 12 inches, which is wide. The wider it is, the more expensive. Wider woods are hickory, pine, and fir. If you're going wide on a budget, pine is the least expensive, but it’s soft and will dent more than other woods. The next best priced option is oak.
RM: Requirements for laying down a wood floor? DW: You should have a subfloor that is flat, clean, and dry. We measure this with a moisture meter and make sure the moisture content is the same as the new flooring. Wood expands and contracts as humidity and temperature vary. If you need a stable floor, then you may want to consider an engineered floor.
RM: Why is that? DW: Manufactured products are easy to work with generally because they're more stable than wood. In terms of engineered wood, you want a thick wear layer so you can sand in the future. It can be 1/16th of an inch of wood on top of a plywood base; typically, the more layers of plywood the more stable and high quality the product. Engineered floors are a cheap alternative to wood; Reward is a good middle-of-the-road engineered floor.
RM: Trends? DW: We now use fir for flooring because it has a rustic quality. Once upon a time we would call it defective wood because it has open knots or large mineral streaks. It used to be culled; now much of it is used for flooring—people like the worn look and that it harkens back to things hand-made.
RM: So a rustic look is popular? DW: Yes, we’ll hand scrape the boards if needed. There is a fiction here. Everyone knows that the wood is not that old, but distressing and gouging gives it a worn look with a sense of permanence. We use reclaimed wood, too, but it’s typically more expensive.
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Above: Joseph Dirand's new apartment in Paris features chevron floors; photo by Simon Watson for the NY Times.
RM: Thoughts on the return to favor of herringbone and chevron floors? DW: They're like a tweed jacket—they never go out of style.
British stylist Hilary Robertson has spent many years in New York perfecting interiors for magazines, such as Elle Decoration, Real Simple, and Town & Country. Along the way, she's become an expert at The Stuff of Life, the apt title of her forthcoming new book devoted to the art of display.
In the first two chapters, "How to Arrange Your Stuff" and "Where to Arrange It," the stylist draws on her experience and dispenses valuable advice on corralling the things in your life. The second part of the book, "Stories Told by Real Homes," provides inspiration from real-life examples. Whether you're a passionate collector looking for ways to display your finds, or a minimalist on a mission to tame the clutter, The Stuff of Life has you covered. Here's a prepublication preview of our favorite arrangements from the book.
Above: A sage green wall provides a calm backdrop for a display of mottled enamel kettles from the first years of the 20th century.
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Above: A picture can ground an arrangement. In Josephine Ekström's home in Sweden, Robertson calls our attention to the use of a Deborah Bowness wallpaper panel as an anchor for a tabletop display.
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Above: Rustic and modern mingle well: here, Ekström pairs Eames Eiffel chairs in earthy colors with a farm table.
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Above: In the beadboard-paneled living room of her summer house in Copenhagen, Danish designer Charlotte Vadum uses daybeds—placed at right angles to each other—in lieu of sofas, and brings the room to life with textiles, favorite objects, and art.
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Above: A 1960's sideboard in Vadum's living room was selected because it creates a strong horizontal element against the vertical beadboarding.
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Above: Against the black stove, Vadum's textiles in natural brown tones blend together into a secondary visual layer.
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Above: Kitchen cabinets painted a deep cobalt blue add an unexpected contrast to the dark wood mantel in retailer Liza Sherman's New York apartment, where kitchen utensils are repurposed as light fixtures and frying pans hang as wall decor.
The Aviary Hotel is, in fact, not a hotel but a bar and restaurant located off bustling Victoria Street in Abbotsford, a suburb of Melbourne. The three owners, Anthony Daniel, Brigitte Costelloe, and Jason McConnell, recently revamped the two-story restaurant to include a downstairs public bar, an outdoor beer garden, and two second floor event rooms, much of them cloaked in black and white warmed up with touches of wood.
Above: The downstairs has an industrial feel: steel beams, concrete flooring, and industrial light fixtures.
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Above: The bar is painted a dark gray and surrounded by penny-sized black and white tiles. Steel-framed windows trimmed in wood separate the bar from the outdoor terrace.
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Above: Entering the outdoor beer garden, you're greeted by a picture on the men's room door of a pigeon-headed doorman.
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Above: The bar-height tables are made from plumbing pipe and casters, making for easy maneuvering
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Above: Wall-hung wooden box shelves are wallpapered inside, adding a decorative note to the white walls.
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Above: As you enter the second floor, the stairwell is surrounded by a wood-framed glass wall. A trio of fabric-covered benches provides casual seating.
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Above: The White Room, available for events, is an airy space with arched doorways and windows, with empty frames on the walls. The bar is clad in ornate white tiles and has a wooden countertop.
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Above: Guests are invited to cozy up to a wood-burning fireplace located in the White Room.
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Above: The Den, an informal lounge, offers comfortable leather seating in a dark, intimate setting. The two upstairs rooms can be rented separately or together depending on the size of your party. To learn more, go to The Aviary Hotel.
"Why did I not realize for so long that less truly is more?" writes Michelle. All week she and the Gardenista team have been leading us to pared-down wonders: the world's prettiest paper flowers, a sunken swimming pool set in a meadow, palm-sized heads of lettuce, and a ground cover known as DG (read on to crack the code).
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Above: Who knew? Paper flowers can look like this—and you can make your own, thanks to Liva Cetti's new book, this week's Required Reading.
Above: Looking to simplify garden maintenance and cut back on water usage? Get to know DG: that's decomposed granite. Natural, permeable, inexpensive, and available in a range of shades, it's this week's Hardscaping 101.
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Above: Square wooden planters free of fuss and filigree are often the trickiest to source. Allow Janet to show you 10 Easy Pieces (the ones shown here are made in Belgian and available from Trelliage).
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Above: An open-air yet private bathroom (yes, you read that right) is this week's Steal This Look. Meredith sourced all the key elements. Homegrown granite bed, anyone?
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Above: Some swimming pools know how to commune with nature. This one, set on a hill near Monterey, CA, is the work of landscape architect Bernard Trainor. Go to the World's Most Beautiful Swimming Pool to learn about the seamless mix of native and new plantings.
We think most things look—and feel—better once they're worn in, wood included. Here are 10 favorite spaces with wood that flaunts the lived-in look, some of it centuries old, some brand nnew.
Above: Elizabeth Roberts Design installed new white oak floors throughout this duplex renovation in Fort Greene, Brooklyn. The muted color pairs well with the townhouse's historic features.
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Above: Architects Liddicoat & Goldhill remodeled this 19th-century terraced house in London for an avid collector of vintage and reclaimed materials. The designers created a palette based on the client's antiques and the house's wood-paneled shutters and other original woodwork. Photo by Tom Gildon.
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Above: A sunken living and dining room in a three-story New York City townhouse remodeled by Leone Design Studio.
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Above: Architect Steven Harris preserved the stone walls and ceiling timbers in his renovation of a 15th century house—his own—located off Croatia's Dalmation Coast.
Above: A credenza set for serving in the home of Santa Barbara-based Carole Magness of Magness Interiors. The designer's home, a 1919 farmhouse, was designed by Wallace Neff.
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Above: Deborah Berke & Partners retained the brick walls and worn wood floors of this NYC bachelor's loft and introduced large pieces of custom furniture for flexible living.
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Above: This Hudson Valley farmhouse by architect James Dixon sports wood of various patinas alongside freshly painted yellow dining chairs.
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Above: A mix of old and new in a Brooklyn Heights loft remodel by Elizabeth Roberts Design: a long reclaimed wood table and new open kitchen for a couple who love to entertain.
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Above: Golden wood and gilded frames warm this open kitchen and dining remodeled by SF-based Nick Noyes Architecture.
Warm spaces, wood floors, and neutral tones set the mood for this past week on Remodelista. Bestselling authors Ayelet Waldman and Michael Chabon invited us into their Berkeley home and we took tour of a refined tea shop in San Francisco. We're focusing on pastel and pale colors next week; until then, take a look at a few things that have been on our radar lately.
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Above: April in Paris: Admiring Joseph Dirand's new kitchen via the NY Times; photo by Simon Watson.
It's no secret we love marble. Now we know how to properly care for it.
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Above: Tables by Japan-based Nendo Design, color washed with colored pencils on Dezeen.
Above: In anticipation of next week's pale colors, Margot has been looking at Rotterdam artist Foekje Fleur's oddly compelling Bottle Vase series, water-tight bisque porcelain vessels cast from plastic trash. Her designs are available at Poketo's new gift shop in the Line Hotel in LA for $48 each, and from Foekje Fleur directly.
Above: A homeless shelter turned strip club in Providence, Rhode Island, gets a new life as The Dean Hotel, designed by Providence-based Kite Architects; take a tour here.
With over 5,600 pins on our Remodelista Pinterest boards, one might say we're addicted to Pinterest. And it's true, we've been known to pin late at night. Oh, you too?
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Above: Remodelista Architect/Designer Directory member Catherine Kwong talks about her approach to designing interiors and more on Domaine.
Sarah will be in conversation next Friday, April 18th, with Celia Bertoia, daughter of modern design great Henry Bertoia, discussing Growing Up Modern, 5 to 8 pm at Zinc Details in San Francisco. Event RSVP.
Is it because blooming magnolias and baby lambs and Easter eggs are on the horizon? Or because the shifting gray-blue sky is presenting the perfect nuanced palette? The chill is finally behind us, and right now, the softest, most delicate, powder-tinged hues are looking extremely compelling—so much so that we're devoting this week's issue to celebrating the light side.
Above: On Wednesday, Janet gets down to brass tacks with a 10 Easy Pieces column on wall-hung toilets—the pros, the cons, and 10 worth considering. In the meantime, have a look at our recent 10 Easy Pieces roundups, including Perfect White Sofas and 10 Instant Kitchen Islands.
Ready for more Remodelista? Start exploring all our posts—just go to the Back Issues page; it's all there, from Vol. 1, Issue 1, In the Pink, to last week's Warm Minimalism. And click here for Gardenista's archive. Looking for something? In the comments section, fill us in on themes you'd like us to cover in the future.
Just when we thought we had seen every possible treatment of plywood, Swedish architect Tommy Carlsson shows us how staining the humble material can create a visual ode to sea and sky. Here's Carlsson's design for a waterside house in Sweden.
Photographs by Andy Liffner and interior styling by Sofie Ganeva via Fantastic Frank.
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Above: The new house is stained plywood on the exterior and primarily natural plywood on the interior. It's set in Skärholmen, a suburb of Stockholm.
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Above: A vinyl collection and crate-like furnishings remind us of a period in our not so distant past when we were less tied to technology.
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Above: In the living area, the perimeter walls are white plasterboard and everything else, stair enclosure included, is made of plywood.
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Above L: Gray cabinets stand out in the kitchen, where the use of plywood extends from the floor to the cathedral ceiling. Above R: The material is put to structural use as exposed trusses.
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Above: The L-shaped gray cabinets delineate the kitchen area. Did you know that the L-shape is the most social kitchen layout? Learn about the setup and see more examples at Remodeling 101:The L-Shaped Kitchen.
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Above: Pale leather pulls contrast with the gray cabinets while matching the warmth of the plywood. Like the look of leather hardware? Explore the options in 10 Easy Pieces: Leather Cabinet Hardware.
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Above: The only colors Carlsson introduces throughout the house are blue and gray (plus hints of green and red). Here, a plaid tablecloth contrasts with the crisp white walls and plywood.
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Above: A plywood door eschews standard hardware for leather pulls and a brass knob. It's easy to make a similar looped handle—see our DIY video.
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Above L: In the study, a blue stain applied over the plywood ceiling creates a cloud-like pattern. Above R: The stained plywood in the stairwell brings the sky inside.
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Above L: A blue bedspread on a low bed references the water. Above R: The bathroom joins the visual ode.
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Above: The house's gray exterior with its vertical siding is simple and modest against the clear blue open sky.
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Above: At triangular entry of blue-stained plywood offers a transition between the exterior and interior palette. The plywood's watercolor look reminds us of the subtly variegated Ombre Tiles from Clé.
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Above: A view from the backyard of Stockholm by the sea.
Ever since I spotted Faye Toogood's London kitchen in the NY Times, with Muuto Dot hangers used as cabinet pulls, I've been mildly obsessed. Here are five spaces that make clever use of the knobs in ways other than their intended use.
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Above: Faye Toogood's London kitchen in the NY Times; photograph by Henry Bourne.
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Above: Muuto knobs as light fixture by K Studio in Athens.
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Above: The knobs work well as a hook for string lights; via Zilverblauw.
As an only child, Dutch ceramicist Lenneke Wispelwey longed for a larger family. So she created one via her extended body of work.
Drawing on her childhood experiences and her love of memorabilia, Lenneke uses slip-case porcelain to create "honest," "low-tech," tactile pieces that invite you to relate to them on many levels. The surprising juxtaposition of precise geometric forms combined with pretty sherbet shades gives her forms an appeal that is both cerebral and sensory, orderly and whimsical, immediate and nuanced. In other words, her pieces achieve the same beguiling balance of beauty, rhythm, and harmony so often found in nature.
Above: Lenneke's pieces are porcelain that's made to be touched, and put to use. Shown here, her Stars & Stripes cups in shades of petal pink. All of Lenneke's designs are available directly through her at her studio in Arnhem, the Netherlands, Lenneke Wispelwey. HerStars & Stripes Cups are also sold by SMUG Studio of Hannover, Germany, for £29 each, and Red Star Studios of Kansas City, MO, for $38.
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Above: Much like a family in which individuals share traits, Lenneke's work plays with several subtly differentiated shades of the same hue, as shown in these small Daisy Vases, available through direct order at Lenneke Wispelwey; €39.
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Above: Perfect for a single bulb or breakfast egg, Lenneke's Petit Fours are the babies of the family; €25.
Above: The play of biscuit and glazed surfaces is another Lenneke Wispelwey signature, as seen on these carafes. The Blue Mr. Right Carafe is available through Red Star Studios; $170. Green and blue Mr. Right Carafes are also available through SMUG Studio in London; £139, or directly via Lenneke Wispelwey.
Above: Lenneke's collection includes a full range dinnerware, which, thanks to their complementary hues, are even better mixed than matched. Midilicious Bowls are £31 each at SMUG.
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Above: Star Vases are available through Lenneke Wispelwey for €39.
A few years ago, when Abbey and Phil Hendrickson and their two young children moved from Buffalo to the couple's hometown of Owego, New York, their 1881 century farmhouse came with many charms. But the kitchen, last tackled 40 years ago, was not one of them. Loaded with a long list of undesirables—faux-stone paneling, avocado green paint, and fake marble, among them—"it was a perfect storm of 1970s renovation work," says Abbey. "But in defense of the previous owners, I'm certain some of the additions we're making now will horrify future inhabitants."
We're not so sure about that. We've been following Abbey and Phil's progress via Abbey's blog, Aesthetic Outburst, and the kitchen is looking pretty timeless to us. And did we mention that the couple did all the work themselves? Abbey, an artist and crafts stylist and author of You Are Awesome: 21 Crafts to Make You Happy, is also the executive director of the Tioga Arts Council; Phil, meanwhile, is a graphic designer with a deep handyman streak.
Total tally for all additions, including paint, hardware, wood paneling, and new light? Less than $500.
Photographs by Abbey Hendrickson.
After
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Above: The couple transformed the look of the existing lower cabinets and back door by going dark—they used Valspar Paint Forest Canopy ("my favorite paint color ever," says Abbey). They also swapped in new hardware: Martha Stewart Living Bedford brass pulls and knobs from Home Depot; $4.49 per pull. They had dreams of replacing the existing green Formica counters, but left them as is. Write Abbey in her kitchen chronicle: "They add a certain charm. And I've convinced myself that if we had nice, brand-new countertops, they'd make the rest of the room look like complete crap."
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Above: Phil and Abbey created a makeshift island from a workbench found in the barn. "The height is great and it's perfectly functional," says Abbey, adding that it's a stop-gap piece to be replaced at some point with "a flat work surface and nicer legs." They refinished the floor themselves. "There are four different types of wood on the first floor alone," says Abbey. "The kitchen floor is the darkest, so we sanded and clear-coated it and then stained everything else to match." The light came from Lowe's; it's the Allen + Roth Edison 12-Inch Bronze Pendant Light with Clear Shade. The sconce over the sink is vintage.
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Above: The kitchen's other notable addition: a DIY beadboard backsplash that rises behind a new black range. The paneling was added right over the old yellow linoleum and Contact Paper. Explains Abbey: "We picked up two sheets of cheapo beadboard paneling from our local hardware store, nailed it horizontally, caulked it, painted it, and voilà! A solution in less than two hours and for less than $60."
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Above: The counters are 1950s Formica with chrome edging.
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Above: Up close, the beadboard paneling looks as if it was a labor-intensive project. "The Mrs. Smith's pie plate artfully disguises a little dent in the wall," says Abbey. "I have no shame." But she clearly has plenty of ingenuity.
Before
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Above: Here's a glimpse of the Brady Bunch-style kitchen as it was; note the faux stone on the fridge wall. The vinyl floor was an addition that the couple made as a requirement for their mortgage—"the existing hardwood floor was in such bad shape, the appraiser didn't think it was viable. So before we took ownership, we put in the cheapest floor we could find. We took it out and refinished the floor weeks later."
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Above: Here's a glimpse of the floor in its original state. On the third day that they owned the house, Abbey and Phil started tackling the walls and cabinets. Wanting to do all the work themselves—and to spend as little as possible—they preserved as many original details as they could and used paint as their primary weapon.
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Above: "We removed all the drawers, sanded down them down, and sprayed every surface white," says Abbey. "I was so focused on covering the avocado green walls, I can't remember which white we used. I'm sure it was something inexpensive from Lowe's or Home Depot." To see more of Abbey and Phil's house, go to Aesthetic Outburst.
A while back Alexa and I discovered Le Dans La, the blog of French stylist and photographer Aurélie Lécuyer, and found ourselves admiring (make that obsessing over) her whimsically romantic interiors. After 15 years spent living in the center of Paris, Lécuyer and her family relocated to a converted schoolhouse built in 1830, in the countryside near Nantes; the interiors feature a humble mix of vintage furniture "from our grandparents," Ikea finds, and classic French pieces, all accented with dashes of color provided by vibrant linen pillow covers from Merci in Paris. To see more, go to Le Dans La.
N.B.: Later today we'll be doing a Steal This Look post on the room of Lécuyer's toddler.
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Above: The old stone schoolhouse, converted into a house, where Lécuyer lives.
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Above: Lécuyer's vestibule features a traditional French half-painted wall.
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Above: Lécuyer uses dip-dyed traditional French market baskets for her grocery outings. If you like this look, consider our recent DIY post: Make Your Own Dip-Dyed Pouf.
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Above: Lécuyer's couch features piles of linen-covered pillows from Merci in Paris.
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Above: A detail of her carved mantel.
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Above: A trio of black Russian nesting dolls.
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Above: A rattan chair with a pink linen pillow from Merci.
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Above: Lécuyer's table is surrounded by mismatched vintage chairs and covered in a Fog Linen tablecloth.
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Above: A polka-dotted ball adds a whimsical note to the kitchen.
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Above: An Iris Hantverk brush hangs from a vintage rack in the kitchen.
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Above: A collection of Picardie tumblers.
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Above: A mint green Jielde lamp provides kitchen illumination.
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Above: Lécuyer's photos of handmade shoes by Golden Ponies of Guadalajara, Mexico. See more of Lécuyer's work at Albert et Henriette.
“Hear the word ‘pastel’ and you may instantly imagine the sugary pink of a little girl’s bedroom or the cheerful, springtime shades found on retro floral fabrics. Today, these saccharine visions are only part of the story, because pastels are enjoying an exciting, dynamic revival," writes Selina Lake in her new book, Pretty Pastel Style.
A London-based interiors stylist, Lake is a veteran when it comes to publishing—Pretty Pastel Style, a 160-page ode pastels with personality, is her fourth design book. It's divided into chapters devoted to modern, retro (think fifties shades), and vintage pastels; we particularly like the last section, which presents simple pastels in white rooms with a minimal but elegant look. Here are some examples:
Above: A relaxed paneled living room with slipcovered furniture. The doorframe is lined with a fringed trim for a soft vintage touch. A Koushi Lamp by Mark Eden Schooley hangs from the ceiling. Intrigued? The design inspired Alexa to made her own DIY Koushi Lamp.
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Above: A farm-inspired kitchen with white-painted paneling, barn-style lighting, a porcelain farm sink, and butcher block countertop. Have a look at more modern farm kitchens in our photo gallery.
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Above: Mismatched chairs are unified by coats of white paint in this cooly white dining room bottles brightened with glass bottles used as vases and a gold-fringed vintage-style ceiling shade.
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Above: A cocoon-like living room (even the wall clock is white) is furnished with a colorful ensemble, including pastel Windsor chairs and a modern sofa covered with a floral throw. See 10 Easy Pieces: The Windsor Chair Revisited for more Windsor inspiration.
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Above: Another bright Windsor chair stands next to a vintage upright piano stacked with Tivoli radios. In the Remodelista book, we singled out the Tivoli radio in the Remodelista 100, our chapter devoted to favorite everyday objects.
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Above: An all-white living room set off by touches of pink—two Windsor chairs painted in different pale hues, hot pink pillows and artwork, and light-pink blankets. Like the wingback chair? Check out 10 Easy Pieces: The Wingback in Back
Above: Pretty Pastel Style by Selina Lake, with photography by Catherine Gratwicke and writing by Joanna Simmons, is published by Ryland Peters & Small; it's available on Amazon for $22.18. For more by Lake, have a look at her blog.
Rainbows and unicorns are things of my past, but somehow I never outgrew my affection for bunnies. Floppy ears and fluffy tails, I figured, were my own particular design Achilles heel—but then I discovered I'm far from alone. For lots of sophisticates, designers included, the love of rabbit is a life-long affair.
Above: From one of our favorite shops, New Zealand (and online) boutique Father Rabbit, a bunny duvet. The bed cover is currently sold out, but the same floppy-eared fellow is available as a Bunny Framed Print; $99 AUD.
Above: The British have never been bashful about their love of bunnies. By London designer Jo Robinson (who grew up on a farm), the Bouncing Bunny Tea Towel is £9. It's available from her company, HAM, which "seeks to add a serious edge to its playful subject matter." The tea towel and other HAM designs featuring spunky rabbits are also offered as prints, mugs, and notecards; go to HAM for details.
Above: Artist Noëlle Burke of Philadelphia-based Etsy shop Xenotees specializes in witty screen-printed pillowcases for animal lovers. Noëlle's Best Bunnies Pillowcases are made from 100 percent Pima cotton; $32 for a set of two. Have a look at her cat and dog pillowcases in our gift guides.
In her rustic home In Nantes, France, stylist Aurélie Lécuyer creates a playful, graceful, yet somehow sophisticated space for her little girl.
Earlier today, we featured the calm interiors of Aurélie's house (see House Call:Aurélie Lécuyer in France). She styled her child's room with dots of color and carefully considered toys. Here's how to achieve the look with Liberty of London fabric, vintage-inspired toys, and colorful garlands.
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Above: Washed out gray walls are the canvas for bright spots of color.
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Above: Salmon pink and chartreuse are two unexpected colors introduced in a scattering of bed pillows.
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Above: A garland of paper dots and a row of orange playthings.
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Above: Lécuyer added a touch of color—some coral carnations—into this simple setting.
Above: From Merci in Paris, French Linen Pillow Cases are €35 each and range in color (Aurélie selected them in chartreuse, rose, and pale gray) and Pillow Inserts are €15 each. Available online at Merci with international shipping. For more on the cultish Parisian store see our post: Paris's Most Exciting Shop is Now Online.